First of all, I would like to start with an apology for the lack of posts of late. I do, however, have good news! I have recently started a PhD at the University of Chichester, in which I will be focusing on the relationship between outsider art and the mainstream art world. Specifically, it will … Continue reading The Cycle of Cultural Consumption
I can only apologise for the lack of posts in recent weeks – I hit the ground running at the start of 2018, and haven’t managed to stop just yet. However, I wanted to write a quick post for you as a couple of days ago, I was doing my usual crawl through the internet … Continue reading The Autodidact: What Does it Take to Make it Big?
In this post, writer Nick Moss considers the benefits of having a 'code of practice' for galleries and museums when working with outsider artists - much like there is a code of practice for those working with Aboriginal artists. "It is perhaps to do a disservice to both art forms to make too much of … Continue reading Aboriginal art, outsider art, and a code of conduct
I have wanted to write about this subject for a while now, ever since I first received a wall calendar of a certain artist’s work as a Christmas present over two years ago. Since then, I have been lucky enough to see this artist's work in person at the Paris Outsider Art Fair in 2015, and … Continue reading The ‘Savant’ Artist
On 31st May, I was very kindly invited to give a talk at the ‘Life is Your Very Own Canvas’ mid-exhibition event in Aberdeen by organiser of the show, Steve Murison. The exhibition showcased work by people who are part of the Penumbra Art Group in Aberdeen. I spoke briefly about outsider art and how … Continue reading A Note on Outsider Art
A new qualitative study, commissioned by Axisweb, focuses on how artists receive validation for their work outside of the ‘traditional’ gallery setting. I think this is particularly poignant for all artists including self-taught artists and those who are not or do not wish to be aligned with the gallery agenda. The researchers working on the study … Continue reading Valid Art: creativity and affirmation
Above image: Transient Graffiti on Bath Abbey (courtesy of http://www.suitedandbooted.org) Brian Gibson: "It’s 2015 now and after recent events the world seems a lot more complex … so I'm heading back to the relative calm of late 2014. Like a lot of people over the festive break I got myself hooked into various forms of social … Continue reading Brian Gibson: Real Art… Really?
Featured image: Agnes Richter, needlepoint jacket [notmodernart.tumblr.com] Following Brian Gibson's fantastic previous post, entitled 'What does it mean to be an Outsider?', he has written again for kdoutsiderart. This time, focusing on 'confessional' art. Here, her discusses whether artists who have experienced trauma or health issues feel 'obliged' to create art that is overtly confessional? … Continue reading Brian Gibson: Fessing Up
Recently, I have been considering the importance of process and product with reference to art making. Is the process of making the art the most important thing for the artist, or is there something equally as important in having this work shown to the public – whether this is an exhibition, a performance or a … Continue reading Process Vs. Product in Creative Practice
I asked artist Brian Gibson for his thoughts on the term 'Outsider Art' and what it means to him as a practising artist. Below is his response and a display of his own artwork. Click here for more information on Brian and his work. I have never been quite certain as to where I fit … Continue reading Brian Gibson: What does it mean to be an ‘Outsider’?