Sustainable arts careers for people with disabilities

Earlier this month, I was lucky enough to be invited to join a panel discussion in London organised by Pertti's Choice in my role as Step Up Coordinator at Outside In. The panel focused on the issue of 'sustainable arts careers for people with disabilities.' It chimed nicely with the work I do on Outside In's … Continue reading Sustainable arts careers for people with disabilities

Artificial Hells? A Summary of Claire Bishop

Following on from my recent post summarising Julian Spalding's thoughts on the Eclipse of Art in the twentieth century, I have been reading a number of other texts that focus on the political and societal factors that impacted on the western art world in the twentieth century. This post offers a summary of Claire Bishop's … Continue reading Artificial Hells? A Summary of Claire Bishop

The ‘Integrated Professional’ and the ‘Naive Artist’

My previous PhD research-inspired post, ‘The Cycle of Cultural Consumption’, focused mainly on what sort of culture audiences ‘consume’ and why. It looked at Pierre Bourdieu’s theory of habitus, and how our social and educational background is the biggest influencing factor when it comes to the culture that is available – and interesting – to … Continue reading The ‘Integrated Professional’ and the ‘Naive Artist’

Book Review: Artaud the Moma by Jacques Derrida

In this extended post, writer Nick Moss reviews Jacques Derrida: Artaud the Moma (Columbia University Press, 2017). Moss critically examines Derrida's writings about what it means for an artist - and subsequently their work - to exhibit in various institutions.  Jacques Derrida engaged repeatedly with the work of Antonin Artaud throughout his life. His best … Continue reading Book Review: Artaud the Moma by Jacques Derrida

In Focus: The Question of Outsider Art

Over the past six months or so, I have been contributing to a project by PhD student Marion Scherr. Marion initially got in touch because she is currently completing her PhD thesis at the University of Oldenburg, Germany (School of Linguistics and Cultural Studies), focusing on the personal experiences, opinions and thoughts of artists who have been labelled … Continue reading In Focus: The Question of Outsider Art