The ‘Integrated Professional’ and the ‘Naive Artist’

My previous PhD research-inspired post, ‘The Cycle of Cultural Consumption’, focused mainly on what sort of culture audiences ‘consume’ and why. It looked at Pierre Bourdieu’s theory of habitus, and how our social and educational background is the biggest influencing factor when it comes to the culture that is available – and interesting – to … Continue reading The ‘Integrated Professional’ and the ‘Naive Artist’

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The Cycle of Cultural Consumption

First of all, I would like to start with an apology for the lack of posts of late. I do, however, have good news! I have recently started a PhD at the University of Chichester, in which I will be focusing on the relationship between outsider art and the mainstream art world. Specifically, it will … Continue reading The Cycle of Cultural Consumption

Book Review: Artaud the Moma by Jacques Derrida

In this extended post, writer Nick Moss reviews Jacques Derrida: Artaud the Moma (Columbia University Press, 2017). Moss critically examines Derrida's writings about what it means for an artist - and subsequently their work - to exhibit in various institutions.  Jacques Derrida engaged repeatedly with the work of Antonin Artaud throughout his life. His best … Continue reading Book Review: Artaud the Moma by Jacques Derrida

In Focus: The Question of Outsider Art

Over the past six months or so, I have been contributing to a project by PhD student Marion Scherr. Marion initially got in touch because she is currently completing her PhD thesis at the University of Oldenburg, Germany (School of Linguistics and Cultural Studies), focusing on the personal experiences, opinions and thoughts of artists who have been labelled … Continue reading In Focus: The Question of Outsider Art