Above image: Otto Dix, Sturmtruppe geht unter Gas vor (Stormtroops advancing under a gas attack), 1924 [Courtesy of: lewebpedagogique.com] I recently visited an exhibition of German artist Otto Dix's series of prints entitled Der Krieg (The War) at the De La Warr Pavilion in Bexhill, East Sussex. I studied this series for my undergraduate dissertation … Continue reading Otto Dix: The ‘Madness’ of Modern Warfare
German Expressionism was born out of the influence of a variety of earlier movements, styles and subject matter, and of course, through the discontent of many avant-garde artists with recent modernisation and the alienation of urban living. Paul Gauguin (1848 – 1903), a French Post-Impressionist, proved significantly influential on the works of German Expressionists. Gauguin … Continue reading Pre-World War I: Primitivism, Nostalgia and the Rise of German Expressionism
Germany, at the turn of the twentieth century saw major shifts from an agrarian economy to a modern industrial economy. Under Otto von Bismarck, who oversaw the unification of Germany in the late nineteenth century, the years 1870 until 1890 saw a huge period of transformation and an increase in Bourgeois power; these years were … Continue reading Social and Political Theories of Alienation and the Appearance of ‘Madness’
I am going to begin a series that looks at the links and similarities between German Expressionism and Outsider Art particularly between the years of 1905 and 1945. This will include contextual factors, pre-world war one, the Weimar period and then finally, the Degenerate Art exhibition organised by the National Socialist Party in Germany. Here … Continue reading Introduction to the Links and Similarities Between German Expressionism and Outsider Art
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