I have just started researching for my next PhD assignment, which will look at the ways the media has reviewed exhibitions of outsider art over the past fifteen years. Whilst working my way through back catalogues of exhibition reviews, I came across Jonathan Jones’ review of the 2014 British Folk Art exhibition at Tate Britain … Continue reading The Importance of Folk Art
Earlier this month, I was lucky enough to be invited to join a panel discussion in London organised by Pertti's Choice in my role as Step Up Coordinator at Outside In. The panel focused on the issue of 'sustainable arts careers for people with disabilities.' It chimed nicely with the work I do on Outside In's … Continue reading Sustainable arts careers for people with disabilities
Following on from my recent post summarising Julian Spalding's thoughts on the Eclipse of Art in the twentieth century, I have been reading a number of other texts that focus on the political and societal factors that impacted on the western art world in the twentieth century. This post offers a summary of Claire Bishop's … Continue reading Artificial Hells? A Summary of Claire Bishop
Continuing on the theme of the construction and sociology of the art world, this blog post references Julian Spalding's interesting read 'The Eclipse of Art: Tackling the Crisis in Art Today.' This post is somewhat a summary of Spalding's main thoughts, which cover the descent of art in the modern era. In the book, he … Continue reading The Eclipse of Art?
The next post in my PhD series continues on the theme of the art world as a system, and, more specifically, Becker’s book Art Worlds. This post will focus on the notion of reputation in the art world – how it’s gained, what it means for artists who do gain a ‘reputation,’ and how the … Continue reading Reputation and the Art World
My previous PhD research-inspired post, ‘The Cycle of Cultural Consumption’, focused mainly on what sort of culture audiences ‘consume’ and why. It looked at Pierre Bourdieu’s theory of habitus, and how our social and educational background is the biggest influencing factor when it comes to the culture that is available – and interesting – to … Continue reading The ‘Integrated Professional’ and the ‘Naive Artist’
First of all, I would like to start with an apology for the lack of posts of late. I do, however, have good news! I have recently started a PhD at the University of Chichester, in which I will be focusing on the relationship between outsider art and the mainstream art world. Specifically, it will … Continue reading The Cycle of Cultural Consumption