The next post in my PhD series continues on the theme of the art world as a system, and, more specifically, Becker’s book Art Worlds. This post will focus on the notion of reputation in the art world – how it’s gained, what it means for artists who do gain a ‘reputation,’ and how the … Continue reading Reputation and the Art World
My previous PhD research-inspired post, ‘The Cycle of Cultural Consumption’, focused mainly on what sort of culture audiences ‘consume’ and why. It looked at Pierre Bourdieu’s theory of habitus, and how our social and educational background is the biggest influencing factor when it comes to the culture that is available – and interesting – to … Continue reading The ‘Integrated Professional’ and the ‘Naive Artist’
First of all, I would like to start with an apology for the lack of posts of late. I do, however, have good news! I have recently started a PhD at the University of Chichester, in which I will be focusing on the relationship between outsider art and the mainstream art world. Specifically, it will … Continue reading The Cycle of Cultural Consumption
