My previous PhD research-inspired post, ‘The Cycle of Cultural Consumption’, focused mainly on what sort of culture audiences ‘consume’ and why. It looked at Pierre Bourdieu’s theory of habitus, and how our social and educational background is the biggest influencing factor when it comes to the culture that is available – and interesting – to … Continue reading The ‘Integrated Professional’ and the ‘Naive Artist’
First of all, I would like to start with an apology for the lack of posts of late. I do, however, have good news! I have recently started a PhD at the University of Chichester, in which I will be focusing on the relationship between outsider art and the mainstream art world. Specifically, it will … Continue reading The Cycle of Cultural Consumption
Welcome to the final installment of 'In Focus,' a series of blog posts featuring question and answer sessions between me and PhD student Marion Scherr. In this last post, we'll look at the term outsider art in an international context, and discuss the relationship between outsider art and the 'traditional, mainstream' art that is taught … Continue reading In Focus: the Context of Outsider Art
Welcome to the second installment of 'In Focus,' a series of blog posts that see a question and answer session taking place between me and PhD student Marion Scherr. This post focuses on the implications of the term 'outsider art' for the artists it describes, and considerations when exhibiting works of outsider art. Marion Scherr … Continue reading In Focus: Exhibiting Outsider Art
In this extended post, writer Nick Moss reviews Jacques Derrida: Artaud the Moma (Columbia University Press, 2017). Moss critically examines Derrida's writings about what it means for an artist - and subsequently their work - to exhibit in various institutions. Jacques Derrida engaged repeatedly with the work of Antonin Artaud throughout his life. His best … Continue reading Book Review: Artaud the Moma by Jacques Derrida
Over the past six months or so, I have been contributing to a project by PhD student Marion Scherr. Marion initially got in touch because she is currently completing her PhD thesis at the University of Oldenburg, Germany (School of Linguistics and Cultural Studies), focusing on the personal experiences, opinions and thoughts of artists who have been labelled … Continue reading In Focus: The Question of Outsider Art
I can only apologise for the lack of posts in recent weeks – I hit the ground running at the start of 2018, and haven’t managed to stop just yet. However, I wanted to write a quick post for you as a couple of days ago, I was doing my usual crawl through the internet … Continue reading The Autodidact: What Does it Take to Make it Big?
In this post, writer Nick Moss considers the benefits of having a 'code of practice' for galleries and museums when working with outsider artists - much like there is a code of practice for those working with Aboriginal artists. "It is perhaps to do a disservice to both art forms to make too much of … Continue reading Aboriginal art, outsider art, and a code of conduct
In this post, writer Nick Moss responds to Cornelia Parker's current installation at Frith Street Gallery and reflects on how, in opposition to Parker's 'insider art' - which feeds us messages of unquestioned assumption - outsider art has the power to contain the multitude of voices that go unheard in the art world. The first reaction … Continue reading Nick Moss: Insider Art
My recent co-curation of Jazz Up Your Lizard, the exhibition of work by Steve Murison that celebrate five years' of the blog, got me thinking again about what it means to be a curator of outsider art. In previous posts, I have mentioned that the role of a curator is to display work that fits into the 'outsider' … Continue reading Place and space: exhibiting outsider art
