In this thought-piece, Jerry Fresia discusses how capitalism has impacted on the art world (inside and outside) over the past century. Power and the Capitalist Class: Capitalists don’t just sit off to the side minding their own business. Their business is the accumulation of capital (money and productive assets). They buy politicians, sit on the … Continue reading Three Ways Capitalism Impacts the Insider Art World
The Importance of Folk Art
I have just started researching for my next PhD assignment, which will look at the ways the media has reviewed exhibitions of outsider art over the past fifteen years. Whilst working my way through back catalogues of exhibition reviews, I came across Jonathan Jones’ review of the 2014 British Folk Art exhibition at Tate Britain … Continue reading The Importance of Folk Art
Artist Showcase: Robert Haggerty
The latest artist showcase comes from Robert Haggerty. If you would like to have your work featured on the site, please send an email to kdoutsiderart@yahoo.com. “Art is the conscious making of numinous objects.” K. J. Bishop "As an artist, I engage the grotesque in pursuit of the numinous. Sometimes I think of myself as … Continue reading Artist Showcase: Robert Haggerty
Sustainable arts careers for people with disabilities
Earlier this month, I was lucky enough to be invited to join a panel discussion in London organised by Pertti's Choice in my role as Step Up Coordinator at Outside In. The panel focused on the issue of 'sustainable arts careers for people with disabilities.' It chimed nicely with the work I do on Outside In's … Continue reading Sustainable arts careers for people with disabilities
Artificial Hells? A Summary of Claire Bishop
Following on from my recent post summarising Julian Spalding's thoughts on the Eclipse of Art in the twentieth century, I have been reading a number of other texts that focus on the political and societal factors that impacted on the western art world in the twentieth century. This post offers a summary of Claire Bishop's … Continue reading Artificial Hells? A Summary of Claire Bishop
Artist Showcase: Cloud Parliament
This latest artist showcase highlights beautiful, haunting drawings and zines by Cloud Parliament. When did your interest in art/creating begin and what is your starting point for each piece? I don't recall having an interest: it was always something integral, something I did. When I was about three I used to lift the kitchen … Continue reading Artist Showcase: Cloud Parliament
The Eclipse of Art?
Continuing on the theme of the construction and sociology of the art world, this blog post references Julian Spalding's interesting read 'The Eclipse of Art: Tackling the Crisis in Art Today.' This post is somewhat a summary of Spalding's main thoughts, which cover the descent of art in the modern era. In the book, he … Continue reading The Eclipse of Art?
Artist Showcase: Maranda Russell
The latest artist showcase comes from Maranda Russell. If you would like a post about your work on the blog, please email kdoutsiderart@yahoo.com. When did your interest in art/creating begin? I've always had somewhat of an interest in creating art, but as a child I thought I had absolutely no artistic talent because I was … Continue reading Artist Showcase: Maranda Russell
Reputation and the Art World
The next post in my PhD series continues on the theme of the art world as a system, and, more specifically, Becker’s book Art Worlds. This post will focus on the notion of reputation in the art world – how it’s gained, what it means for artists who do gain a ‘reputation,’ and how the … Continue reading Reputation and the Art World
The ‘Integrated Professional’ and the ‘Naive Artist’
My previous PhD research-inspired post, ‘The Cycle of Cultural Consumption’, focused mainly on what sort of culture audiences ‘consume’ and why. It looked at Pierre Bourdieu’s theory of habitus, and how our social and educational background is the biggest influencing factor when it comes to the culture that is available – and interesting – to … Continue reading The ‘Integrated Professional’ and the ‘Naive Artist’