As my research continues, I have been looking at the notion of the art ‘competition.’ More specifically, I have been looking at the barriers that surround these competitions; focusing on the application and selection processes. In many parts of our lives, we are encouraged to fit into an already existing and established ‘box.’ This box, … Continue reading Art competitions and their barriers
Recently, whilst undertaking some research around the role of the critic and what makes artists ‘successful’ in the art world, I came across a transcription of a lecture given by Sir Alan Bowness, Art Historian and Director of Tate (1980-1988), at the University of London in 1989. The talk centred on the idea of artistic … Continue reading The Conditions of Success?
My previous PhD research-inspired post, ‘The Cycle of Cultural Consumption’, focused mainly on what sort of culture audiences ‘consume’ and why. It looked at Pierre Bourdieu’s theory of habitus, and how our social and educational background is the biggest influencing factor when it comes to the culture that is available – and interesting – to … Continue reading The ‘Integrated Professional’ and the ‘Naive Artist’