‘Outsider art’, although a term that is so often criticised for its ambiguity and uncomfortable sentiments, takes centre stage this spring at the Wellcome Collection in London. Despite the semantic controversy surrounding the term itself, there is nothing ambiguous, controversial or uncomfortable about Souzou: Outsider Art from Japan. Unlike the development and history of ‘outsider … Continue reading Review – ‘Souzou: Outsider Art from Japan’ at the Wellcome Collection